Unsalted Unbuttered

Delany Boutkan Identity, business cards, 2019, Delany Boutkan Identity design for Delany Boutkan a curator and writer, graduated from Design Academy Eindhoven, Master Design Curating and Writing. For the launch into her practice, she wanted to have a modest identity, which she could use as a platform to introduce herself. We created business cards and a landingpage. A visual identity which showcases the different aspects of Boutkan's skills.

• Text: Delany Boutkan
• Size: 85x55mm
• Typeface: Suisse Int'l by Swiss typefaces
• Paper: Biotop
• Technique: Digital Print

Website design for Delany Boutkan a curator and writer, graduated from Design Academy Eindhoven, Master Design Curating and Writing. For the launch into her practice, she wanted to have a modest identity, which she could use as a platform to introduce herself. We created this landingpage as part of the identitty. It showcases the different aspects of Boutkan's skills.

• Text: Delany Boutkan
• Size: Responsive
• Typeface: Suisse Int'l by Swiss typefaces
• Development: Unsalted Unbuttered

Poster design that explains how torrent files work. Torrent files work with a peer-to-peer system. The files are transferred in tiny bits but are eventually downloaded in whole on your system. The posters visualizes this system typgraphically using the letters of the file.

• Size: 420x594 mm
• Paper: Munken White
• Technique: Digital Print

Publication design consisting of recipes created with a markov.py script. This script creates new texts based on a database of other texts. Hereby creating new recipes that are displayed in this publication. It is seperated in three chapters; Appetizers, Dinner and Deserts. On the last page of the book you can find the code which was used for the recipes.

• Text: Markov script
• Photography: UU
• Size: 240x170 mm
• Technique: Digital Print

Project that consists of a collection of 26 books. The content is gathered from Project Gutenberg, which offers 57,000 free books of which the copyright has been expired. We selected 26, for each letter of the alphabet we chose a book to design. Books such as academic texts,cooking books, poetry, stories and more. The books also exist of varying themes such as astrology, music, nutrition, art and writers. The selection creates a average sample of the entire Gutenberg project. The books are produced by a print on demand service called Pumbo. On this online platform the books are published, making them available for the public within the exhibition but also after this event. This dustcover serves as a token of payment and as a individual version of the collection.

• Text: Various Authors / Project Gutenberg
• Photography: Various Photographers / Project Gutenberg
• Size: 240x170 mm
• Typeface: Suisse Intl, Suisse Works, Suisse Mono
• Paper: Curious Matter Andina Grey
• Printer: Pumbo, Drukkerij Dogan
• Technique: Digital Print

Book design which showcases the letters sent and received in the life of Mozart. The structure of the book is defined by the dates the letters were sent. Hereby creating a structure which can be read as a biography.

• Text: Project Gutenberg
• Photography: Project Gutenberg
• Size: 240x170 mm
• Typeface: Suisse Works by Swiss typefaces
• Paper: Roman
• Printer: Pumbo
• Technique: Digital print

Publication design for the final thesis written by Yasmin Tri Aryani for her graduation of the Master Design Curating and Writing at Design Academy Eindhoven. Aryani's thesis reveals different circumstances that influence the architects’ praxis in designing government-funded buildings, while being encouraged to embrace traditional architectural forms. Factors such as current Indonesian laws concerning building, initiatives to conserve traditional architecture by non-profit organizations, and bylaws made by tribal councils are analyzed. Additionally, interviews with architects, government officials, and Indonesians living near the new border posts help to understand the architectural works from different perspectives. New buildings and traditional structures are compared to see what the architects adopted. A comparison with architectural policies in other postcolonial countries sheds light on seemingly similar strategies.

• Text: Yasmin Tri Aryani
• Size: 220x115 mm
• Typeface: Optima
• Paper: Cyclus Offset, Curious Matter Red
• Technique: Digital Print

Publication design for the final thesis written by Delany Boutkan for her graduation of the Master Design Curating and Writing at Design Academy Eindhoven. The thesis is about the shifting state of the three-dimensional object through its display and regulation of this display. From a thing with an actual presence to a re-presentation of a story or action. There is only one original of this book. it has been scanned and can be reproduced indefinitely via the webshop

• Text: Delany Boutkan
• Photography: Various Photographers
• Printer: Pumbo
• Technique: Digital Print

Series of flags created out of an comepetitive spirit. One person was appointed the orange team (Patrick), while the other was on the blue team (Max). Each week we would react on the flag that was created by the competitor the week before. This eventually created an installation of ten flags that crossed swords with one another.

• Technique: Silkscreen

Generative typeface based on the research question "What does music to your brain". Typing the connections between the letters instead of the letter itself creates a line pattern that produces a new shape. The font is presented in a series of 50 risograph posters.

• Size: 210x297 mm
• Paper: Cyclus offset
• Technique: Risography

Book design for a collection of poems written by creative writing students. The book is sorted by the length of the poems, but the index that can be found on each spread allows you to surf the book in different ways.

• Text: Anouk Lammers, Roos Marijn Peperkamp, Rosanna ten Have, Ravi Ram, Fleur Bodt, Lasse van Strien, Laurens Duyts and Randy van Ee
• Munken Lynx Rough
• Technique: Digital Print

Identity and publication design for a collection of e-flux texts on the subject of "politics of shine". The shape is determined by the way in which 3d renderings are made. The text is set like a digital interface and the illustrations are based on the underlay of rendered shapes.

• Text: Various Authors
• Paper: Colorplan
• Technique: Digital Print